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Bizarre

Chaotic Musical Sequence2

Plays on the mobile app
The Chaotic Musical Sequence2 board in the WaveWarp DrawingBoard
Chaotic Musical Sequence2 — the board as it opens in the WaveWarp DrawingBoard.

What it does

Chaotic Musical Sequence (2)

Illustrates the use of the "Chaotic Control Generator 2" to create amplitude and frequency frequency input signals for the Controllable Combo Oscillator. The result is a sequence of tones which follows the behaviour of Henon's chaotic strange attractor at the core of the "Chaotic Control Generator 2" block. The time histories of the two states of the Henon strange attractor are the outputs of the "Chaotic Control Generator 2" block. These are mapped into the frequency and amplitude of the controllable oscillator. The "Control Smoothers" are used to soften the frequency and amplitude transitions, and the "Large Control Gains" are used to scale the control signals onto the desired frequency and amplitude ranges.

Experiment with all settings of all blocks to explore the chaotic behaviour of the strange attractor and its interesting musical connotations!

[Refs: (1) "Introduction to Applied Mathematics", Gilbert Strang, Wellesley-Cambridge Press, 1986. p 504-505. (2) "Chaos: making a new science", James Gleick, Penguin Books, 1987, p 149-151.]

Effects used

7 blocks 7 connections
In WaveWarp, 1998

How the original documented it

Chaotic Musical Sequence (2) Illustrates the use of the "Chaotic Control Generator 2" to create amplitude and frequency frequency input signals for the Controllable Combo Oscillator. The result is a sequence of tones which follows the behaviour of Henon's chaotic strange attractor at the core of the "Chaotic Control Generator 2" block. The time histories of the two states of the Henon strange attractor are the outputs of the "Chaotic Control Generator 2" block. These are mapped into the frequency and amplitude of the controllable oscillator. The "Control Smoothers" are used to soften the frequency and amplitude transitions, and the "Large Control Gains" are used to scale the control signals onto the desired frequency and amplitude ranges. Experiment with all settings of all blocks to explore the chaotic behaviour of the strange attractor and its interesting musical connotations! [Refs: (1) "Introduction to Applied Mathematics", Gilbert Strang, Wellesley-Cambridge Press, 1986. p 504-505. (2) "Chaos: making a new science", James Gleick, Penguin Books, 1987, p 149-151.]

Components used (1998)

Large Control GainLarge Control GainControl Smoother with AT-RTControl Smoother with AT-RTControllable Combo Oscillator (F,A)Output Single-Mono WAVE DriverChaotic Control Generator 2 (A)